Author results: Scott Mehaffey
Much like his previous band Sidewinder, Nick Craft uses wall-of-sound sonics, distorted guitars and more of that lovely stuff that made his former cult act Australia's answer to My Bloody Valentine. Craft's voice floats between that of Morrissey and McLennan while instrumentally the feedback and reverb hit at different points across the album, most strongly in 'Back In Your Arms' and glorious album closer 'Where Were You On The Weekend'.
I really don't know what to make of this album. It's kind of an angular, electronic funk affair, much like if LCD Soundsystem had slightly less sensical, more repetitive lyrics, and threw in touches of The Knife, Air, and hell, a smidge of Goodshirt to try to create a digitally-driven folk-disco record.
After what seemed an eternity between Wet From Birth and the release of FASCIINATION, I was anticipating an incredible, mind-blowing record which pushed theboundary of the whole dance-punk sound as their past three LPs had (disregard Media, please). But instead I'm left with a slight sense of disappointment throughout.
Hot little people making hot little songs in a hot little studio, all crafted with their hot little hands - it only makes sense that this record is hot, right? Not Paris Hilton hot (because that's obviously spelt "hott"), but blisteringly cool, as in the "hip" style of cool, not the "opposite of hot".
Sophomore albums are make or break for any artist - whether you slump or whether you thrive depends on the act's talent and depth, and some artists just seem to have these two characteristics in spades. Montreal five-piece Wolf Parade are one of these very bands, and the quintet continue their upward march toward a successful musical peak with the release of the astounding AT MOUNT ZOOMER, the follow-up to 2004's equally brilliant APOLOGIES TO QUEEN MARY.
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