Keyword results: 80's
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ECR
12th Aug 08
Marley Dawson and Christopher Hanrahan, a pair of Sydney-based artists/petrol-heads, have been known to shift their art practice into unfamiliar territory...
Paranoid Park
20th Feb 08
Gus Vant Sant is synonymous with a particular brand of American arthouse, epitomised by films like DRUGSTORE COWBOY and MY OWN PRIVATE IDAHO. Since then...
Design Classics iPad edition
4th Jul 10
On Friday I was at a dinner party Steve Jobs would have been proud of. There were MacBooks everywhere, young people iTunes DJing through wireless speakers...
Pat and Stick's
5th Dec 07
A few months ago, I was talking to a friend who had just gone through a breakup after a long relationship. She turned to me and said, with a completely...
STRUMMER: THE FUTURE IS UNWRITTEN
19th Sep 07
Julien Temple has a long career in music video, and directed the fascinating Sex Pistols doco, THE FILTH AND THE FURY, back in 2000. It used snippets...
Faxhibition
29th Apr 10
Do you know that people still use fax machines? It's true. Just the other day a telecommunications company asked me to fax through my identifying documents...
Not Quite Hollywood
11th Aug 08
It's ironic that some of the most recognisable faces in NOT QUITE HOLLYWOOD are American. Why does Quentin Tarantino know more about Australian genre...
Martial Arts at White Rabbit Gallery
7th Apr 10
I don't know about you, but I've always wanted to break free of the quiet, slow-paced head-nodding of art galleries and start a fracas. And now, beyond...
Voiceworks, The Words We Found
11th Nov 09
I have a fear of literary anthologies. Just like a boardroom table full of strippers, there's always going to be some duds that make you feel queasy...
Demo Issue #1
18th Sep 06
It’s not often you hear ‘non profit’ and ‘music promotion’ in the same sentence, but it’s not often you come across...
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TwoThousand is a subcultural guide to Sydney, published daily and fired by email weekly. It is compiled by an amorphous gaggle of Sydney writers, stylists, designers and photographers who all like huddling under that big umbrella we like to call creativity. Without editorial independence TwoThousand has nothing. All editorial you read is featured because it's worth it - not because it's paid for.
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