Keyword results: Experimental
I am an embarrassingly huge fan of Jim O'Rourke's solo work, I think HALFWAY TO A THREEWAY and EUREKA are probably some of the most played records in my collection. Most will know him from his time spent in The Red Krayola, Sonic Youth and Loose Fur, but he has remained incredibly prolific outside those bands; quite literarily involved in hundreds of recordings.
Naive opinion brands Dosh as white-boyexperimental hip hop just because he sits on the Anticon roster. Sure,there are percussive leanings towards the genre on WOLVES AND WISHES (evident through air-tight breaks) but beyond thisthere's instrumental mastery and a nerd-like splicing together of encyclopaedicmusic knowledge and composition.
Online mail order service Cloth Ear Music is a boon for fans of lo-fi psychedelia, drone experimentation and handmade recordings. Operated anonymously from Sydney with orders taken via email only, the site is a mainline for local and overseas releases of the most ethereal, under-the-radar kind; limited edition LPs, 7s, CDRs and tapes of Noise-fallout otherwise unavailable in Australia.
The adage everything old becomes new again holds on this mind-blowing compilation of 'rare European library grooves' courtesy of Munich's Permanent Vacation label. Compiled by the enigmatically named Alexis Le-Tran and Jess, SPACE ODDITIES takes in 19 super-obscure cuts from subscriber-only library music albums used to score European film and TV productions from 1975 to 1984.
Always makes a future kind of phonic music exclusively composed of vocal sounds. Like Brion Gysin's Dream Machine, his spinning tracks seem to affect the alpha rhythms of the human brain, allowing listeners new access to hidden imaginative capacities. Throughout F.I.S.T., segmented pieces of voice are slowly run through endless, looping possibilities of order, creating layer upon layer of hypnotic, implied meanings.
The story of Deerhoof is a long and complex one. Punctuated by band members leaving and angels arriving (Satomi – singer), audiences have nevertheless expanded as word about the wonderful complexity and energy of the Deerhoof sound has spread.
The title of their new album ‘Friend Opportunity’ is fitting as it could be described as an extended hand, a welcoming for those that may have considered Deerhoof ‘too “noise” for “pop”’.
Some artists and their releases are easy to write about but Cornelius, and his latest release Sensuous, is not one of them. With so many things taking place both simultaneously and separately, the sounds contained within this album are innovative to the purist and mysterious to the novice. Experimental elements surround pop structures like seagulls surround a chip, biting through it while squawking occasionally to get attention.
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