Keyword results: Pierre Huyghe
Hidden amidst the first floor at the MCA, on a small patch of wall towards the back, there is a poster. Compared to the cobra-filled cotton fields and hammocked rooms of the Biennale showcase, it's a small player. Yet this petit paper alludes to something much greater.
Pierre Huyghe's poster is a calling card to a forest of sorts, one that will materialise this Wednesday on the stage, in the stalls and the circles of the Sydney Opera House.
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